'It is daunting, for sure, because you're rowing upstream.'
Two Much With Kajol and Twinkle promises a healthy dose of sarcasm and unfiltered comments.
For a story about sweethearts and heartache, it's a pity that you will likely forget Love In Vietnam in a heartbeat, notes Mayur Sanap.
'Before Gadar 2, I was a nobody.' 'Once Gadar 2 happened, my director was like, you're meant for the movies, girl.'
Inspector Zende had the potential to be genuinely entertaining. Instead, it settles for formulaic fun, observes Mayur Sanap.
'The moment I watched the teaser I was astonished.'
'Your family doesn't want you to come to this field because there's no direction, no formula.' 'It's not as if your career is settled and you will get work consistently.'
'The chemistry came very naturally; we didn't have to try too hard. It was there already and it just flowed. It was effortless.'
Sameera Reddy and mother-in-law Manjri Varde share a cute bond; here's how that came about.
Though Vash Level 2 doesn't deliver an absolute knock-out experience we would expect from a horror sequel, it has got enough zing to keep the franchise hurtling forward, raves Mayur Sanap.
The growing list of Bollywood's new-gen actors gets fresh faces in Vyom and Saachi Bindra, who will make their big screen debut in the musical romance, Mannu Kya Karegga.
The young star kid is all set to make his big fat debut in the OTT series, The Ba***ds of Bollywood.
'We knew there would be a silence from the audience after watching the film because Dhadak 2 is that kind of a film.'
'I wanted a player of his calibre to take on one of the strongest sides in the country.' 'However, he stuck to his guns, and we had an argument.'
War 2 offers you exactly what you'd expect from a mass entertainer: some escapist fun, some truly knockout action scenes, and overall a good time at the movies, observes Mayur Sanap.
'The idea was to not give any morality lessons.'
The sheer awfulness of Andaaz 2 really doesn't deserve anyone's time or attention, warns Mayur Sanap.
'Guru Dutt taught me that pitying oneself can be beautiful, and that heartbreak is cinematic.'
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